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This small doll figure has a jointed wooden body. It was made in the late 1700s. We do not know who the maker was. We think that it may have been made as a doll's house figure. This is a Grodnertal type doll. She is wearing a cotton dress and silk bonnet. She has a gesso-covered and painted wooden head, and was made between 1820 and 1840, probably by an Austrian maker. The name Grondertal comes from Gröden Tal, a remote village on the Austrian/ Italian border, famous for wood carving since 1643. Wares made in Gröden Tal were carried door to door across Europe from Lisbon to Russia. Accession number 50.30.385 Doll in a purple dress, dated 1870 to 1890, by an unknown maker. The doll has a stuffed cloth body, a wax over plaster head and plaster arms and lower legs. Her eyes are made of glass. She is wearing a purple silk dress with cotton underclothes, and has a spare striped dress. The dresses have been altered in the past. Examination by x-ray revealed a possible squeaker or similar mechanism in the chest. The doll came with a spare leg for repair! Accession number 1963.289.55 Doll in pink dress with a bisque head, dated 1880 to 1900, by an unknown German maker. The doll is stuffed and jointed with a white kid leather body. Her head and forearms are bisque. The doll has human hair and glass eyes. Accession number 1974.324.1

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People all over the world make dolls and figurines. They are made for many different reasons, not always as toys to be played with. In some societies figurines are made only for use by adults in religious or other belief-related ceremonies.

These dolls and figures from National Museums Liverpool's collections date from the last 400 years and were made to be played with as toys. Children in the past played with toys in different ways to today’s children. Dolls were often expensive and more fragile than modern ones, so children were not allowed to play roughly with them. As a result, many of them have survived in surprisingly good condition even though they are very old.

Some of the dolls do show signs of wear and tear however. For example, the dress that the Grodnertal doll is wearing is not original, as it is too small at the waist. To the rear of the doll much of the skirt of the dress has disappeared as a result of light damage to the cotton. The dark flowers have suffered more than the lighter background, either because the dye used to print the design has weakened the cotton, or because the dark areas naturally absorb more light. A test for metal components in the dye would help resolve the possible reason for the damage. The original dimensions of the skirt have been calculated from what remained and the skirt reconstructed in fine nylon net, which also supports what remains. To prepare this doll for display conservators might dye cotton to match the skirt and used that to repair losses, to make the lost area less conspicuous.

Some older dolls are considered to be precious collectors’ items. In the future some of our modern dolls may be just as prized by collectors.