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'Self-portrait', Ford Madox Brown
Though older, Ford Madox Brown sympathised closely with the new Pre-Raphaelite Brotherhood formed in 1848, which paralleled his own ideas, though he was never a member. At first an adviser, at least to Rossetti (to whom he provided painting lessons), in turn he was influenced by them.
While at first well received, his work gained little public recognition in the 1850s and the influential Ruskin was antagonistic. In 1853 he married Emma Hill who appears in his two greatest paintings ‘The Last of England’, now in Birmingham Art Gallery, and ‘Work’, now in Manchester Art Gallery.
In 1861 he was a founder-member of the decorating firm of Morris, Marshall, Faulkner and Company, for which he designed some furniture and many stained-glass cartoons, until its re-arrangement as Morris and Co. in 1875. These were influential on his later manner which saw a return to his earlier historical approach combined with a looser more decorative style.
The following Ford Madox Brown artworks are available to view online:
‘Millie Smith’
Walker Art Gallery
‘A study of 'Lucy Madox Brown'’
Walker Art Gallery
‘Self-portrait’
Walker Art Gallery
‘Study of Emma and Catherine for 'Pretty Baa Lambs'’
Walker Art Gallery
‘A study of 'Catherine Madox Brown'’
Walker Art Gallery
‘Waiting: an english fireside of 1854-5’
Walker Art Gallery
‘A study of 'Oliver Madox Brown'’
Walker Art Gallery
‘Windermere’
Lady Lever Art Gallery
‘Cromwell on his Farm’
Lady Lever Art Gallery
‘A study of 'Arthur Madox Brown'’
Walker Art Gallery
‘A study of 'Arthur Madox Brown, age nine months'’
Walker Art Gallery
‘The Baptism of St. Oswald’
Lady Lever Art Gallery
‘St Oswald and St Aidan’
Lady Lever Art Gallery
‘The Coat of Many Colours’
Walker Art Gallery
‘The Nosegay’
Lady Lever Art Gallery
‘Cordelia’s Portion’
Lady Lever Art Gallery