Dante Rossetti - 1829 to 1896

Chronology

Dante Gabriel Rossetti

1828
Born 38 Charlotte Street, London. Eldest son of Gabriel Rossetti, Professor of Italian at King's College, London. (from 1831), and Frances Polidori.
1829
Birth of William Michael Rossetti.
1830
Birth of Christina Georgina Rossetti.
1836
Pupil at King's College School.
1841
Studied at Henry Sass's Drawing Academy. Much time spent illustrating Shakespeare, Byron, Scott, Goethe and his own brother's and sister's writings.
1844
Probationer at Royal Academy.
1845
Full-time Student at Royal Academy Schools, but had little enthusiasm for format training.
1848
March, studied under Ford Madox Brown. Belonged to 'The Cyclographic' sketching club circulating drawings for criticism. Members included later founder-members of Pre-Raphaelite Brotherhood. May, introduced himself to Holman Hunt after admiring his picture at 1848 Royal Academy Summer Exhibition. August, shared studio with Holman Hunt. September, Pre-Raphaelite Brotherhood formed. 'The Girlhood of Mary' (Tate Gallery). Composing poetry, literary interests and painting of equal importance. October, finished translation of Dante's'Vita Nuova'.
1849
Exhibited 'The Girlhood of Mary' at the Free Exhibition, Hyde Park Corner. September-October, travelled to Paris and Belgium with Holman Hunt. Visited major galleries and confirmed enthusiasm for medieval and early Renaissance painting.
1850
Met Elizabeth Siddal. 'The Germ' magazine published, largely organised by Rossetti. 'Ecce Ancilla Domini' (Tate Gallery) exhibited at National Institution. October, a rare experience painting out of doors, with Holman Hunt.
1852-53
Exhibited watercolours at The Old Watercolour Society, Pall Mall.
1854
Commenced 'Found' (Wilmington Society of Fine Arts, Delaware) - a picture with a modern moral subject.
1855
Publication of William Allingham's 'The Music Master', with one illustration by Rossetti. Worked extensively on small watercolours with medieval and Dante subject matter.
1856
Friendship with Edward Burne-Jones and William Morris, both young students at Oxford. 'The Seed of David' triptych (Llandaff Cathedral).
1857
Moxon's Tennyson published. Five illustrations by Rossetti. Oxford Union Murals painted under his leadership.
1858
Met Fanny Cornforth.
1860
Married Elizabeth Siddal. Subjects changed to more languid, solitary female figures.
1861
Foundation of Morris, Marshall, Faulkner and Company.
1862
Elizabeth Siddal died. Rossetti's manuscript poems buried in her coffin. October, moved to 16 Cheyne Walk with A. C. Swinburne.
1863
Visited Belgium with W. M. Rossetti.
1864
Paris. Friendly with Fantin-Latour and Whistler. 'Beata Beatrix' (Tate Gallery).
1865
'The Blue Bower' (Barber Institute of Fine Arts, Birmingham). Met Alexa Wilding. 1865-66 'The Beloved' (Tate Gallery).
1866
Commenced 'Sibylla Palmifera' (Lady Lever Art Gallery).
1869
Manuscript poem disinterred from Elizabeth Siddal's coffin. Close friendship with Jane Morris.
1870
Started taking chloral for insomnia, leading to addiction. Poems published.
1871-74
Shared Kelmscott Manor with William and Jane Morris. 1871 commenced 'Dante's Dream' (Walker Art Gallery). 1872 Buchanan's derogatory article 'The Fleshly School of Poetry' in 'The Contemporary Review'. 1872 seriously ill. 1872 'The Bower Meadow' (Manchester). 1873 'La Ghirlandata' (Guildhall). Style changed again with female figures becoming burly and exaggeratedly elongated.
1875
'The Blessed Damozel' (Lady Lever Art Gallery).
1877
'Proserpine' (private collection). 'Astarte Syriaca' (Manchester).
1878
' Pandora' (Lady Lever Art Gallery).
1881
New edition poems published
1882
9th April, died at Birchington-on-Sea.

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