Also in this section…?
- 'Vanessa', John Everett Millais
- 'Over some wide watered shore', John Linnell
- 'Ploughing in the Campagna', George Heming Mason
- 'Angel Playing a Flageolet', Edward Burne-Jones
- 'Sunday Morning', Sir Lawrence Alma-Tadema
- 'Pastoral, Mountain Shepherds', John Linnell
- 'Landscape near Abinger', George Vicat Cole
- 'The Heights of the Abruzzi', William Linnell
- 'The Jew's Harp', David Wilkie
- 'Ships at Anchor', Richard Parkes Bonington
- 'Nicholas Robinson', Thomas Clement Thompson
- 'A Nun', Henriette Browne
- 'Playing at Work', Charles Edward Perugini
'Ships at Anchor', Richard Parkes Bonington
Bonington creates a feeling of timeless calm from a few simple elements: the low horizon, the large expanse of sky, the glitter of the sea and the geometrical lines of sails and rigging.
Details such as the seagull alighting on the water, the figures, and the washing hanging between the masts provide gentle animation.
The view was painted in Northern France. The type of ship, a brig, indicates that the port was a commercial centre of some importance.
Please note: this painting is on loan to the National Maritime Museum in London, for their exhibition 'Turner and the Sea'. The exhibition runs from November 2013 until April 2014. National Museums Liverpool apologise for any inconvenience this may cause.
Medium and Support: Oil on canvas
Date: about 1824
Accession No: WAG 188