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19 century collection

Introduction
'The Death of Nelson'
'Linlithgow Palace'
'The Ruins of Holyrood Chapel'
'The Black Boy'
'Millie Smith'
'Isabella'
'Self-Portrait'
Study of Emma and Catherine for 'Pretty Baa Lambs'
'Napoleon crossing the Alps'
'Waiting'
'The Tinted Venus'
'The Stonebreaker'
'John and Georgina Naylor'
A study of 'Arthur Madox Brown'
A study of 'Arthur Madox Brown, age nine months'
A study of 'Catherine Madox Brown'
A study of 'Lucy Madox Brown'
A study of 'Oliver Madox Brown'
'A Coat of Many Colours'
'The Hunted Slaves'
'Faithful unto death'
'The Murder'
'Elaine'
'Dante's Dream'
'Bust of Henry Wordsworth Longfellow'
'Leonora di Mantua'
'Portrait of Mrs Catherine Smith Gill'
'Elijah in the Wilderness'
'Athlete struggling with a python'
'And when did you last see your father?'
'One of the Family'
'A Street in Brittany'
'Friday'
'Dante and Beatrice'
'The Mower'
'Fantine'
'Samson'
'A summer night'
'The Promise'
'The funeral of Shelley'
'Woman ironing'
'Break-up of the ice on the Seine'
'Perseus and Andromeda'
'The punishment of lust'
'The sense of sight'
'Ophelia'
'The Fairy Tale'
'Old Man's Treasure'
'The Eve of St Agnes'
'Deal'
'Puck'

'The Stonebreaker', John Brett, 1857-8

Painting, as described below

Oil on canvas, 51.3 x 68.5cm

Accession Number WAG1632

This work is a tour-de-force of Pre-Raphaelite truth to nature. The boy is knapping flints for road making, a task often given to paupers. Despite this, the boy looks well nourished and the playful dog adds an air of sentimentality to the piece.

The figure, his clothing, the rocks, plants, sky and every detail of the distant Surrey landscape are captured with scientific accuracy. This reflects Brett's interest in the writings of the influential Victorian art critic John Ruskin.