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19 century collection

Introduction
'The Death of Nelson'
'Linlithgow Palace'
'The Ruins of Holyrood Chapel'
'The Black Boy'
'Millie Smith'
'Isabella'
'Self-Portrait'
Study of Emma and Catherine for 'Pretty Baa Lambs'
'Napoleon crossing the Alps'
'Waiting'
'The Tinted Venus'
'The Stonebreaker'
'John and Georgina Naylor'
A study of 'Arthur Madox Brown'
A study of 'Arthur Madox Brown, age nine months'
A study of 'Catherine Madox Brown'
A study of 'Lucy Madox Brown'
A study of 'Oliver Madox Brown'
'A Coat of Many Colours'
'The Hunted Slaves'
'Faithful unto death'
'The Murder'
'Elaine'
'Dante's Dream'
'Bust of Henry Wordsworth Longfellow'
'Leonora di Mantua'
'Portrait of Mrs Catherine Smith Gill'
'Elijah in the Wilderness'
'Athlete struggling with a python'
'And when did you last see your father?'
'One of the Family'
'A Street in Brittany'
'Friday'
'Dante and Beatrice'
'The Mower'
'Fantine'
'Samson'
'A summer night'
'The Promise'
'The funeral of Shelley'
'Woman ironing'
'Break-up of the ice on the Seine'
'Perseus and Andromeda'
'The punishment of lust'
'The sense of sight'
'Ophelia'
'The Fairy Tale'
'Old Man's Treasure'
'The Eve of St Agnes'
'Deal'
'Puck'

'Linlithgow Palace', Joseph Mallord William Turner, 1807

Picture, as described below

Oil on canvas, 91.4 x 122cm
Accession Number WAG2583

Linlithgow Palace, birthplace of Mary Queen of Scots, was a romantic and picturesque ruin by 1807. Turner added naked nymphs and evenly balanced trees to the composition. Such details elevated the picture above a simple landscape into something closer to a classical history painting in the manner of Claude Lorrain.

The thickly impastoed sunlit clouds, however, betray Turner's fundamental love of depicting strong natural effects.