A brief encounter between: 'Vespers' and 'Eventide: a scene in the Westminster Union'
John Singer Sargent and Hubert von Herkomer

John Singer Sargent 1856-1925, 'Vespers' 1909
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Hubert von Herkomer 1849-1914, 'Eventide: a scene in the Westminster Union' 1878
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Both these paintings have compositional similarities: your eye is drawn along
the ground or along the floorboards away from the bottom centre of each canvas
to the left middle ground; and a figure in the bottom right of each picture
looks directly out at you. A weak evening light partially illuminates
Herkomer's bleak interior of a London workhouse, while Sargent's Vespers,
painted in Corfu and also set in early evening, features a more dazzling
sun-streaked scene.
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