Statue of a Striding Male

59.148.58

About this object

Polished red granite statue of a striding male. A compromise between Egyptian ideals of statuary and Roman portraiture for the head. Technical and postural details betray the Roman origin of the statue: the higgly polished gloss for an affect similar to that of the Egyptianising statues of the Hadrian period, the thin pillar that runs at the back from the plinth to the shoulders and a less strict frontality than the one found in Egyptian sculpture. There is slight movement of the upper torso and head which is slightly turned to the left. The bald head has a huge indentation at the top of the crown and the face is heavily modelled with two deep horizontal creases on the forehead, and pronounced cartilage at the bridge of the nose, the ears are flat and the mouth is extremely small, the tip of the nose is restored as well as one ear and several patches. The figure is a composite made of three parts, the head however most definitely belonged to the torso. The granite of the legs is of different colour than the rest of the statue and this indicates that they did not originally belong to the body. The man may have been representing a priest but he does not have any other royal insignia other than the kilt.

Object specifics

  • Type
    Art
  • Culture
    Romano-Egyptian
  • Artist/Maker
    Unknown or unrecorded
  • Place made
    Europe: Southern Europe: Italy: Rome
  • Date made
    1st Century AD - 2nd Century AD
  • Materials
    Red Granite
  • Location
    World Museum, Level 3, Ancient Egypt Gallery
  • Acquisition
    Gift of Col. Joseph W Weld, 1959
  • Collector
    Henry Blundell
  • Place collected
    Europe: Northern Europe: UK: England: London: Richmond upon Thames: Twickenham
  • Date collected
    1802-05
  • Measurements
    1510 mm x 265 mm x 435 mm x 275 kg
  • Note
    Bartman views the statue as veristic and typical of the Roman Republican portraiture but she notes that the crudeness is less common in hyper veristic portraits. She also commented about the exaggerated characteristics which make the statue more of a caricature of late Egyptian heads. Bartman proposed that a Ptolemaic similar male from the Albani collection may have been the inspiration for the Roman sculptor.
  • Related people
    Henry Blundell (Collector, previous owner); 1st Baron Mendip (Previous owner); Joseph William Col Sir Weld (Previous owner)

Explore related

Publications

  • A Catalogue of the Ancient Marbles at Ince Blundell Hall

    Ashmole, Bernard

    Author: Ashmole, Bernard
    Publisher: Clarendon Press
    Date: 1929
    Description: An illustrated catalogue of the ancient sculptures collected by Henry Blundell and formerly at Ince Blundell Hall.

  • Ancient Marbles in Great Britain

    Michaelis, A

    Author: Michaelis, A
    Publisher: Cambridge University Press
    Date: 1882
    Description:

  • Classical sculpture and the culture of collecting in Britain since 1760

    Coltman, Viccy

    Author: Coltman, Viccy
    Publisher: Oxford Univeristy Press
    Date: 2009-08-06
    Description: A book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century. Viccy Coltman contrasts the precarious and competitive culture of eighteenth-century collecting, which integrated sculpture into the domestic interior back home in Britain, with the study and publication of individual specimens byclassical archaeologists like Adolf Michaelis a century later. Her study is comprehensively illustrated with over 100 photographs.

  • Egypt, Rome and the concept of universal history

    Bartman, Elizabeth

    Author: Bartman, Elizabeth
    Publisher: The British School at Rome
    Date: 2011
    Description: Proceedings of a conference held at the British School at Rome in 2006. Important as the Grand Tour was, there was much more to the cultural relationship between Britain and Rome in the eighteenth century than this. The contributions to this volume look at this relationship from the perspective of the Italian, as well as the British and other European visitors: Rome in the eighteenth century stood for cosmopolitanism rather than national rivalry, and had moved beyond being the centre for the renaissance of antiquity to being a place where the cross-pollination of the modern with the ancient allowed the culture of Europe to flower in new and unexpected ways.

  • Gifts of The Nile: Ancient Egyptian Arts and Crafts in Liverpool Museum

    Bienkowski, Piotr; Tooley, Angela

    Author: Bienkowski, Piotr; Tooley, Angela
    Publisher: Her Majesty's Stationery Office
    Date: 1995
    Description: A 130 page illustrated book that focuses on the Egyptian antiquities in World Museum's collections to provide a colourful introduction to the land and its culture in the Pharaonic period. An appendix explains the history of the collection and includes information about the Lady Lever Art Gallery Egyptian collection, which is also part of National Museums Liverpool.

  • The Ince Blundell collection of classical sculpture Volume III-The ideal sculpture

    Bartman, Elizabeth

    Author: Bartman, Elizabeth
    Publisher: Liverpool University Press
    Date: 2017
    Description: This book investigates the important antiquities collection formed by Henry Blundell of Ince Blundell Hall, near Liverpool, in the late eighteenth century. Consisting of more than 500 ancient marbles - the UK's largest collection of Roman sculptures after that of the British Museum - the collection was assembled primarily in Italy during Blundell's various 'Grant Tour' visits. As ancient statues were the preeminent souvenir of the Grand Tour, Blundell has strong competition from other collectors, British nobility and European aristocrats, monarchs, and the Pope. His statues represent a typical cross section of sculptures that would have decorated ancient Roman houses, villas, public spaces and even tombs, although their precise origins are largely unknown. Most are likely to have come from Rome and at least one was found at Hadrian's Villa at Tivoli.

Events

  • Sale of the effects of 1st Baron Mendip

    Start date: 1802-05-18
    End date: 1802-05-18
    Description: Sale of the effects of Wellbore Ellis, 1st Baron Mendip, held at Christie's in London.

Ownership

Previous owners

  • Joseph William Col Sir Weld

    Owned from: 1958
    How acquired: Unknown or unrecorded
    Owned until: 1959
    Disposal method: Unknown or unrecorded
  • Henry Blundell

    Owned from: 1802-05-18
    How acquired: Unknown or unrecorded
    Owned until: 1810
    Disposal method: Unknown or unrecorded
  • 1st Baron Mendip

    Owned from: Unknown or unrecorded
    How acquired: Unknown or unrecorded
    Owned until: 1802-05-18
    Disposal method: Unknown or unrecorded
Object view = Humanities
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