One of three panels in a series made for the Archbishop of Magdeburg, the others being M8061 and M8017. Sixteen of the series survive and two others are known from an early 16th century drawing. It is believed the ivory panels may have constituted an altar-frontal, hence the conventional name 'Magdeburg antependium'. By the mid-11th century the panels were being detached and re-used. 
Christ and the Adulteress - Christ, with a nimbed halo, barefoot, seated on a folding stool against the wall, bends down to write on a footstool on the ground in the atrium of the Temple (described in John 8:2-11). Two bas-relief head on the footstool. Four supporting disciples above left; and from the right the Adulteress and four of her accusers. The eyes of Christ and the other five main figures are drilled. An architectural setting with simplified acanthus capitals on each column and beading round the arch.