About this object

Black hat dancer's ceremonial robes of heavy Chinese silk & brocade (in Tibetan style). Sleeves have extended triangular flaps and are made from strips of floral brocade in green red and yellow. The same process, fabric and colour way is used for the skirt. The body is in a wraparound style and fastens with a tie to the side and is edged with red, as is the interior.

Object specifics

  • Type
    Religion; Textile/Clothing
  • Culture
    Tibetan
  • Artist/Maker
    Unknown or unrecorded
  • Place made
    Asia: Central Asia: Tibet [China]: Ü-Tsang: Lhasa
  • Date made
    19th Century Late
  • Materials
    Textile Silk; Skin Leather; Fibre Textile Cotton
  • Location
    World Museum, Level 3, World Cultures
  • Acquisition
    From the Collection of Sir Charles Bell
  • Collector
    Charles Alfred Bell
  • Place collected
    Asia: Central Asia: Tibet [China]: Ü-Tsang: Gyantse
  • Date collected
    28 July 1913
  • Measurements
    1460 mm x 1560 mm; 57 1/2 in x 61 7/16 in
  • Note
    List of Curios No 264:
    A suit and hat worn by "Black Hat" (Ngak-pa) Lamas. These Lamas have among other powers that of preventing hail and sometimes of bringing rain. This dress and hat came from the Potala and were presented to me by the Tibetan Government (Per Lonchen Shatra on 28th July 1913.

    Curator's note: This group of textiles was given to Bell during his annual inspection tour of southern Tibet. He was staying in Gyantse and the Khambu valley and records having 'three lengthy conversations with the Prime Minister on the political position in Tibet ', during this period. The hat that completes the set was given to the British Museum by Bell in 1933 (1933.0508.57).

    Written by Emma Martin
  • Related people
    Charles Alfred Bell (Collector); Paljor Dorje Shatra (gifted by)

Where is this object from?

Explore related

Publications

  • List of Curios

    Bell, Charles Alfred

    Author: Bell, Charles Alfred
    Publisher:
    Date:
    Description: A typed object catalogue from Bell's handwritten notes on a wide variety of objects from his personal collection. This information often contains, the date he obtained an object, its provenance (including where and who he acquired from) and the person responsible for giving him the information. The process of writing the inventory began in December 1912 and continued until the late 1930s.

  • Tibet: Catalogue of Exhibits

    Tankard, Elaine

    Author: Tankard, Elaine
    Publisher: Liverpool Public Museums
    Date: 1953-03
    Description: Introductory essay and catalogue entries, in themes, for the 1953 exhibition; 'Tibet', held at the Walker Art Gallery.

Object view = Humanities
No media found
Have 16 place tagsPage load time: 78 ms