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The Beat Goes Online

The Beat Goes Online was produced by the Institute of Popular Music and supported by the University of Liverpool, National Museums Liverpool, the Arts and Humanities Research Council and English Heritage.

Further reading

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© iStockphoto.com/Dmitriy Shironosov

  • Auslander, Philip (1999) Liveness: performance in a mediatized culture. London: Routledge.
  • Auslander, Philip (2006) Performing glam rock: gender and theatricality in popular music. Ann Arbor: University of Michigan Press.
  • Buckley, David and Dave Laing (2003) 'Stage act' In: John Shepherd, David Horn, Dave Laing eds. The continuum encyclopedia of popular music of the world: volume II: Performance and production. London, Continuum. pp662-666.
  • Inglis, Ian (2001) 'Nothing you can see that isn't shown': the album covers of The Beatles' Popular Music Volume 20/1. pp83-97.
  • Goodwin, A (1993). Dancing in the distraction factory: music television and popular culture. London: Routledge.
  • Klein, N (2000). No logo. London: Flamingo.
  • Laing, Dave (2003) 'Photography' in John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke eds. The continuum encyclopedia of popular music of the world: volume 1: Media, industry and society. London, Continuum. pp296- 98.
  • Leonard, Marion (2007) Gender in the music industry: rock, discourse and girl power. Aldershot: Ashgate.
  • Mundy, J. (1999). Popular music on screen. Manchester: Manchester University Press.
  • Strachan, Robert and Marion Leonard. (2003) 'Popular music in film'. In: John Shepherd, David Horn, Dave Laing eds. The continuum encyclopedia of popular music of the world: volume I: Media, industry and society. London: Continuum.
  • Taylor, Timothy (2001) Strange sounds: music, technology, and culture. London: Routledge.
  • Thompson, Ben. 1995. 'Pop and film: The charisma crossover'. In Celluloid jukebox: popular music and the movies since the 50s, ed. Jonathan Romney and Adrian Wooton. London: British Film Institute, 20-31.
  • Walser, Robert (1993) Running with the devil: power, gender and madness in heavy metal music. London: Wesleyan University Press.
  • Warner, Timothy (2003) Pop music: technology and creativity - Trevor Horn and the digital revolution. Aldershot: Ashgate.
  • Zimmerman, K (1999). 'Rising marketing cost cause a rethink on the number of releases'. In MBI special report 1999: the US report (p. xi). London: Music Business International.

References

Details of all the publications mentioned in The Beat Goes Online are on the 'Further reading' page at the end of the relevant section.

Copyright

Text on this page is copyright of the University of Liverpool. Copyright of images is owned by those identified in the credits. By accessing these web pages, you agree that you may only download the content for your own personal non-commercial use.

No part of the The Beat Goes Online web pages may be reproduced, downloaded, transmitted in any form, stored (in any medium), adapted or changed in any way for any other purpose without the prior written permission of the University of Liverpool.

Further information is available on the Copyright page on this website.

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