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The Beat Goes Online

The Beat Goes Online was produced by the Institute of Popular Music and supported by the University of Liverpool, National Museums Liverpool, the Arts and Humanities Research Council and English Heritage.

Further reading

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© iStockphoto.com/Dmitriy Shironosov

  • Atton, C 2003. 'Fanzines'. The continuum encyclopedia of popular music of the world. Vol. 1. London: Continuum
  • Ballantine, C 1989. 'A brief history of South African popular music'. Popular Music. Vol. 8. Number 3. pp304-10.
  • Barnard, S 1989. On the radio: music radio in Britain. Milton Keynes: Open University Press.
  • Barnes, K 1988. 'Top 40 radio'. Facing the music. Ed. Simon Frith. New York: Pantheon. pp.8-50.
  • Chapman, R 1992. Selling the sixties: the pirates and pop music radio. London: Routledge.
  • Danielson, V 1997. The voice of Egypt: Umm Kulthūm, Arabic song, and Egyptian society in the twentieth century. Chicago: University of Chicago Press.
  • Douglas, USSJ 1999. Listening in: radio and the American imagination. New York: Times Books.
  • Frith, S 1981. Sound effects: youth, leisure, and the politics of rock 'n' roll. New York: Pantheon.
  • Frith, S 2002. 'Look! hear! The uneasy relationship of music and television'. Popular Music. Vol. 21. No.3. pp. 277-90.
  • Hamm, C 1991. 'The constant companion of man: separate development, radio Bantu and music'. Popular Music. Vol. 10. No. 2. pp.147-73.
  • Nichols, R 1983. Radio Luxembourg: the station of the stars. London: Allen.
  • Sanjek, R 1988. American popular music and its business: the first four hundred years. New York: Oxford University Press. 3 vols.
  • Sanjek, R 1983. From print to plastic: publishing and promoting America's popular music (1900-1980). Brooklyn: Institute for Studies in American Music.
  • Wolfe,CK 1975. The grand ole Opry: the early years, 1925-35. London: Old Time Music.

References

Details of all the publications mentioned in The Beat Goes Online are on the 'Further reading' page at the end of the relevant section.

Copyright

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Further information is available on the Copyright page on this website.

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