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Further reading

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© iStockphoto.com/Dmitriy Shironosov

  • Auslander, Philip (1999) Liveness: performance in a mediatized culture. London: Routledge.
  • Auslander, Philip (2006) Performing glam rock: gender and theatricality in popular music. Ann Arbor: University of Michigan Press.
  • Buckley, David and Dave Laing (2003) 'Stage act' In: John Shepherd, David Horn, Dave Laing eds. The continuum encyclopedia of popular music of the world: volume II: Performance and production. London, Continuum. pp662-666.
  • Inglis, Ian (2001) 'Nothing you can see that isn't shown': the album covers of The Beatles' Popular Music Volume 20/1. pp83-97.
  • Goodwin, A (1993). Dancing in the distraction factory: music television and popular culture. London: Routledge.
  • Klein, N (2000). No logo. London: Flamingo.
  • Laing, Dave (2003) 'Photography' in John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke eds. The continuum encyclopedia of popular music of the world: volume 1: Media, industry and society. London, Continuum. pp296- 98.
  • Leonard, Marion (2007) Gender in the music industry: rock, discourse and girl power. Aldershot: Ashgate.
  • Mundy, J. (1999). Popular music on screen. Manchester: Manchester University Press.
  • Strachan, Robert and Marion Leonard. (2003) 'Popular music in film'. In: John Shepherd, David Horn, Dave Laing eds. The continuum encyclopedia of popular music of the world: volume I: Media, industry and society. London: Continuum.
  • Taylor, Timothy (2001) Strange sounds: music, technology, and culture. London: Routledge.
  • Thompson, Ben. 1995. 'Pop and film: The charisma crossover'. In Celluloid jukebox: popular music and the movies since the 50s, ed. Jonathan Romney and Adrian Wooton. London: British Film Institute, 20-31.
  • Walser, Robert (1993) Running with the devil: power, gender and madness in heavy metal music. London: Wesleyan University Press.
  • Warner, Timothy (2003) Pop music: technology and creativity - Trevor Horn and the digital revolution. Aldershot: Ashgate.
  • Zimmerman, K (1999). 'Rising marketing cost cause a rethink on the number of releases'. In MBI special report 1999: the US report (p. xi). London: Music Business International.