Also in this section…?
- 'Angel Playing a Flageolet', Edward Burne-Jones
- 'The Heights of the Abruzzi', William Linnell
- Entrance hall
- 'The Jew's Harp', David Wilkie
- 'Landscape near Abinger', George Vicat Cole
- 'Nicholas Robinson', Thomas Clement Thompson
- 'A Nun', Henriette Browne
- 'Pastoral, Mountain Shepherds', John Linnell
- 'Playing at Work', Charles Edward Perugini
- 'Ploughing in the Campagna', George Heming Mason
- 'Ships at Anchor', Richard Parkes Bonington
- 'Sunday Morning', Sir Lawrence Alma-Tadema
- 'Vanessa', John Everett Millais
- 'Over some wide watered shore', John Linnell
'Vanessa', John Everett Millais
Zoom into the detail of this painting
This painting was George Holt’s first major acquisition for Sudley. He paid £1575 for it in 1885 when it marked a distinct move upmarket in his art collecting. Henceforward, he would concentrate - almost exclusively - on ‘blue chip’ artists marketed by his preferred dealers, Thomas Agnew and Sons.
By the time he painted this work, Millais had abandoned his youthful Pre-Raphaelite principles in favour of popular subjects that showed off his bravura handling of paint. This is a fancy portrait of an artists’ model posing as the lover of the 18th century writer, Jonathan Swift.
Medium and Support: Oil on canvas
Accession No: WAG 272