Egyptian alabaster, cream colour with horizontal veins; the surface has a very high polish. A deposit of a black shiny substance, through which layers of bandage protrude, fills the bottom of the interior cavity (presumed to be human remains: intestines?). Four columns of an inscription, with incised lines separating the columns and forming a box around the whole inscription, have been roughly pecked out, originally filled with a black sub-stance of which only faint traces remain. From right to left the hieroglyphs read: "Recitation by Selket: 'I have extended the protection which I can provide, providing safety for Kebeh-senuf who is within m e. The protection of the Osiris, the god's father, sm-priest, wnr- priest in Letopolis, prophet of Amun-ra, lord of Khent-nefer, Iah-mes, the son of Pa-di-ptah, born to the lady of the house Ta-[nt]-nefer-tem, justified, is the protection of Qebehsenuef. (For) the Osiris Iah-mes is Qebehsenuef’".
Diameter of base 113 mm; the interior cavity has almost straight sides; diameter of mouth 92 mm; depth of jar at least 157 mm.
Ahmose’s canopic jars are some of the first Egyptian antiquities to be collected by European explorers. In 1719 his canopic jars were drawn by Bernard Montaucon (1655 - 1741) a French Benedictine monk and scholar who published them in his book, ‘L'antiquité expliquée et representée en figures’ (later translated into English ‘Antiquity Explained and Represented in Sculptures’). Each jar is inscribed for a priest called Ahmose, whose name means ‘the moon has given birth’. The two other jars from Ahmose’s set of four are now in the collections of the Louvre Museum in Paris and the Calvet Museum in Avignon.